Photography Masterclass

Tutorial for Action or Sports Photography

Andrew — Wed, 25 Aug 2010 12:45:35 +0000

In order to avoid blury photos when shooting sport or fast moving action, pay attention to the shutter speed you are using. It is the length of time the shutter remains open. If it is slow, your subject will be blury. You need to have a plan. Being familiar with the sport will help you choose the best place. You need to know in advance what and how you are going to shoot. When choosing your location, keep the sun behind you. To get closer to the action a telephoto zoom lens is very helpful.

Set your camera to a Sport mode or dial the right shutter speed manually in the shutter priority mode. 1/500 of a second should work for most sports. In low light situations use higher ISO (the sensitivity of your camera) but be aware of grainy images that may result from high ISO settings. Also it is a good idea to use a continuos shooting mode to capture a series of frames at a high speed.

Another useful technique for photographing fast moving objects like racing cars is panning. You move your camera steadily as the subject moves. Jasin Boland gives advice to prefocus your camera on the ground, in place where you expect the subject will get to. Set the manual focus for that. Stay loose but hold the camera as stable as you can trying to avoid any vibration.

Another tip is to shoot in horizontal orientation of your camera.

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How to Shoot Portraiture with One Light

Andrew — Wed, 18 Aug 2010 09:22:46 +0000

Studio photography can get quite complicated. Using just one light source for your portraits will make it simplier. You can place a large soft box close to the wall so that some light is reflected from the wall to the model. The aperture setting is set to f9 or f11 because the photographer is using a 200 mm lens. This aperture will allow the model to be in focus.

With one light what you see is what you get. If you place the soft box at 45 degrees and install a reflector on the other side of the model, there will be no harsh shadows on her face. Another way is to use a diffuser which softens the light coming to the model and leaving the intensity of light on the background. Also add a big reflector and you will have three lights portrait with just one light source.

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Everything You Wanted to Know about Lenses

Andrew — Mon, 16 Aug 2010 10:43:50 +0000

First of all there is no such thing as a perfect lens. If it were, it would have been too heavy to carry around and too expensive. So you must understand what your needs are and choose your lenses accordingly.

The main characterictic of any lens is its focal length, which ranges from really wide angle to telephoto. Also lenses can be zoom or prime ones. A zoom allows to change the focal length from wide to narrow angle. Prime lenses are usually less expensive and have a fixed focal length which means that if you want your subject be bigger in the frame you have to phisically move closer to the subject.

Another point for consideration is image stabilazation feature. If you do not plan carrying a tripod, a lens with built-in image stabilization (IS) can serve you a good job by reducing micro shaking of your hands. However please note that this technology fights with your own movements. If you are shooting a fast moving object, it will not help to get a sharp image.

For fast moving objects you need a faster shutter speed to freeze your subject. For this and for low light situations you need to use a lens that opens wide and allows more light to hit your camera sensor. It is called aperture and it can be 2.8 or even less. If you compare Canon 70-200 f4 to 70-200 f2.8 you will see that the latter is significantly bigger, heavier and more expensive. Prime lenses’ aperture can be as low as 1.4 or 1.2.

Another important point is to pay attention to the material the lens is made of. Some cheap lenses have the plastic mount ring that is attached to the camera and it will not last long if you keep changing lenses. More expensive lenses feel much more solid and partly are made of metal.

Speaking of quality, some lenses come as weather sealed which will enable you to use it under rain for example.

Check the speed of lens focusing as some lenses may focus faster than the others. Every maker has an ultra sound range of lenses which means their motor rotates much faster and thus faster focusing.

For portrait photography bokeh is important. Bokeh is the shape of the blured light in out-of-focus areas of an image. It is affected by the number of lens’ aperture blades and their shape.

Lens Focal Length^*	Terminology	Typical Photography
Less than 21 mm	Extreme Wide Angle	Architecture
21-35 mm	Wide Angle	Landscape
35-70 mm	Normal	Street & Documentary
70-135 mm	Medium Telephoto	Portraiture
135-300+ mm	Telephoto	Sports, Bird & Wildlife

*Note: Lens focal lengths are for 35 mm equivalent cameras.Similar Posts:

3 Tricks to Correct White Balance

Andrew — Fri, 13 Aug 2010 14:30:40 +0000

White balance (WB) is the process of removing unrealistic color casts, so that objects which appear white in person are rendered white in your photo. Proper camera white balance has to take into account the “color temperature” of a light source, which refers to the relative warmth or coolness of white light. Our eyes are very good at judging what is white under different light sources, however digital cameras often have great difficulty with auto white balance (AWB).

An incorrect WB can create unsightly blue, orange, or even green color casts, which are unrealistic and particularly damaging to portraits. Performing WB in traditional film photography requires attaching a different cast-removing filter for each lighting condition, whereas with digital this is no longer required. Understanding digital white balance can help you avoid color casts created by your camera’s AWB, thereby improving your photos under a wider range of lighting conditions.

Color Temperature	Light Source
1000-2000 K	Candlelight
2500-3500 K	Tungsten Bulb (household variety)
3000-4000 K	Sunrise/Sunset (clear sky)
4000-5000 K	Fluorescent Lamps
5000-5500 K	Electronic Flash
5000-6500 K	Daylight with Clear Sky (sun overhead)
6500-8000 K	Moderately Overcast Sky
9000-10000 K	Shade or Heavily Overcast Sky

Photo by dear Edward

Most digital cameras contain a variety of preset white balances, so you do not have to deal with color temperature and green-magenta shift during the critical shot.
If you shoot in RAW you can always change the white balance in post processing of your image in Adobe Camera Raw for istance.
There is an option to use a so called gray card. You place a piece of photocopy paper for example where your subject will be located. It is important because you need the card to receive the same quality of light as will your subject. Then you shoot the card, focussing is of no importance here, and then go to your camera menu and instruct it to sample the color temperature from this image. So your custom whitebalance is set and all your next shots will have right color temperature.

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How to Improve your Portraits

Andrew — Tue, 03 Aug 2010 14:57:39 +0000

Use at least a 6 megapixel camera
Always shoot in FINE mode and save images in Jpeg or RAW if you have a DSLR
Ask your subject to wear solid colors. Partens can be distractive
Shoot against a white background
Lighting is very important, shoot in the room with lots of natural light coming from large windows (use them as softboxes)
Edit later, spend all your time shooting and trying to get the best result with as little post processing as you can
Do not move
Experiment with different poses and emotions, be creative
Shoot as much as possible. The more images you produce, the better chances are for good pictures.
For better quality of lighting use a bounce card.

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Rule of Thirds for Photographers

Andrew — Fri, 30 Jul 2010 10:13:44 +0000

Rule of thirds is very important for creating your composition.

The rule of thirds is a compositional rule of thumb in photography. The rule states that an image should be imagined as divided into nine equal parts by two equally-spaced horizontal lines and two equally-spaced vertical lines, and that important compositional elements should be placed along these lines or their

intersections.

Simply try not to put your subject right in the center of your image because it will have less tension, energy and interest in the composition than when it is placed off-center.

Every rule can be broken but only if you do realise that you need to break it for some reason.

Some cameras already have a grid in the viewfinder that make it easier to compose an image.

If you set the focus point to the center, focus on your subject when it is right in the middle of the frame, and then recompose your frame to move the subject off center.
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Off Camera Flash Lighting Outdoors

Andrew — Mon, 26 Jul 2010 07:27:32 +0000

This demo shows how to use two off camera flashes when shooting a wedding in a park. The first rule is that shadows should be facing the camera because it creates a more dramatic effect. These are set up photos, not candid by all means. Flashes are set to Manual mode and full power. The photographer is able to get drama to the sky even in such a sunny day, thanks to the use of flashes. The camera is also in Manual mode: f11, 1/60 and 50 ISO.Similar Posts:

Off Camera Flash Tips

Andrew — Thu, 22 Jul 2010 16:55:49 +0000

This video explains how to use an off camera wireless flash. You will see a difference that taking your flash off the camera makes. When it is attached to the hot shoe of your camera, images you get look quite flat.

It is better to take the flash unit off the camera and position it on a side and slightly above your subject.

In the past we needed a cord to connect the camera and the flash. Today modern cameras (and we use Nikob D300) allow triggering an off camera flash from a built in flash. You need to configure the pop up flash to work in a commander mode (go to your camera menu). Then set up your external flash as well so that it is a slave. Note the Channel number and Group name, they must be identical on the camera and on the flash. You will be able to use your off camera flash in TTL mode.Similar Posts:

DIY Family Photos Tips

Andrew — Sun, 18 Jul 2010 14:02:57 +0000

Family photos are great for memories.

To make a good family photo try creating a relaxed atmosphere that allows all those wonderful personalities to shine. Aim at your portraits to look natural.
Position your family members artistically, not like furniture. DO not use lines, place the people at different height levels instead. If you have a large group of people, try splitting them into smaller groups to fill your comosition trying it to look natural.
Showing the relationships between the people on your photo is very important.
Catch candid moments.
Fill the frame, concentrate on your subject and elliminate elements that are not important in your composition. Zooming in often helps getting rid of busy background.
Shoot subjects at the eye level.
Try experimenting with crazy angles.
Beware of red eyes.
Choose the right clothes, the clothe that work well together. Focus on your family and do not let their clothes to distract viewer’s attention. Clothes should be matching and create and impression that the family is connected.

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How Chase Jarvis Packs His Photo Gear

Andrew — Fri, 16 Jul 2010 12:27:12 +0000

Award winning commercial photographer Chase Jarvis shows us how he packs his photo gear for shoots on locations.

He shoots with a Nikon D2X camera and 15-55 mm 2.8 lens. He has another Nikon D2X camera as a backup. He takes at least 2 bodies. Another important lens is 70-200mm 2.8. Plus he uses 12-24mm, 85mm tilt/shift, 50mm 1.8, 12mm fisheye. He always keeps two flashes, 5-6 extra batteries. All this goes to his DSLR bag.

He also takes some lighting equipment in hard cases.

Chase gives tips on various travel arrangements, what you should plan and what you should be prepared for if your plans ruin. He speaks on travelling by airplanes with full load of his photo gear. It is definetely worth watching.Similar Posts: